"Write by the River" Writer's Retreat is Sept. 29
The 4th Annual "Write by the River" Writer's Retreat sponsored by Mill Park Publishing will be Saturday, September 29 at Elaine Ambrose's cabin in Garden Valley. To keep costs down, the retreat only will cost $50 to cover speakers, materials, lunch, an awesome canvas tote bag and snacks.
This year's theme: Get Published: On Your Own and by the New York Big Guys.
Speakers include New York Times bestselling author Jennifer Basye Sander and national humorist Stacy Dymalski.
The retreat will begin at 9:00 a.m. and end around 4:00 pm. For an additional $20, participants can attend a private reception with the speakers on Friday evening, September 28.
Former speakers have included Tony Doerr, Lance Olsen, and Alan Heathcock. Past participants who are now published authors include Gretchen Anderson and AK Turner.
Registration details will be added to this site as soon as possible.
Drinking with Dead Women Writers - New Book!
DRINKING WITH
DEAD WOMEN WRITERS
Immediate Release: April 17, 2012
Contact: Elaine Ambrose, Author/Owner of Mill Park Publishing
Email: This e-mail address is being protected from spambots. You need JavaScript enabled to view it
Boise, ID: Idaho authors Elaine Ambrose and AK Turner share their talents for storytelling in a sassy new book about 16 famous dead women writers. The Premiere Party for DRINKING WITH DEAD WOMEN WRITERS is Saturday, May 12 from 3:00 – 6:00 pm at Asiago’s Wine Bar, 1002 Main in Boise.
Most early female writers used pen names because women weren’t regarded as competent writers. Margaret Mitchell wrote only one published novel in her lifetime, but Gone with the Wind won the Pulitzer Prize for Fiction in 1937 and sold more than 30 million copies. Emily Dickinson was so paranoid that she only spoke to people from behind a door. Carson McCullers wrote The Heart Is a Lonely Hunter at age 22. Her husband wanted them to commit suicide in the French countryside, but she refused. Ambrose and Turner explore these and other intriguing facts about the most famous women in literary history.
“I was completely enthralled by DRINKING
WITH DEAD WOMEN WRITERS, as Elaine Ambrose and AK Turner took turns in a fantastical romp through literature and drink, tossing back cocktails with some of the greatest female voices in literary history, cracking wise, prodding for answers to insightful questions, allowing us to know these writers and their minds in essays both hilarious and thoughtful. A rare mix of cleverness and intellect, and a total blast to read.”
-- Alan Heathcock, award winning author of VOLT
-- AlanHeathcock.com
Ambrose is the author of Menopause Sucks and an author of five other books. Her short stories and feature articles appear in several anthologies and magazines. Turner is the creator of “The Writers’ Block” on Radio Boise. She writes a humor column for the Boise City Revue and served as a Writer-in-Residence. The book is published by Mill Park Publishing.
Idaho Writers & Readers Rendezvous
Mill Park Publishing is a sponsor of the Idaho Writers & Readers Rendezvous on May 3-5 at The Centre in Boise. Other sponsors include The Idaho Writers Guild and The BSU Story Initiative.
MPP owner Elaine Ambrose will speak on a panel for "Small Press" on Friday, May 4. On Saturday, Elaine will moderate a panel titled "Publishing Today." Elaine also will judge entries in the fiction competition. Of course, she'll also be an eager and borderline-obnoxious participant in the evening's festivities. Why don't you join us?
Find registration information at www.idahowritersrendezvous.com
"Write by the River" Writer's Retreat will be Saturday, Sept. 29, 2012
Cowboy Poetry: Using Imagery to Write a Poem
Cowboy Poet Ernie Sites brought his energy, humor, and talent to Boise over the weekend,
and Mill Park Publishing sponsored his workshop titled “Writing the Songs of the West.” Participants were entertained and enlightened as he discussed the various ways to write and recite
poetry. He added some lively guitar playing to demonstrate how he turns his stories into songs.
For one exercise, he showed the group various western paintings: agitated horses in a corral, a medicine woman, a Conestoga wagon crossing a river. Then he allowed 15 minutes for the attendees to write a poem. We all were amazed as each one stood to recite her or his poetry. Clearly, the assignment sparked some creative writing within the group.
Ernie instructed us to use free verse or rhyme, and I chose to write a poem about the
river crossing. I wrote in iambic tetrameter, a style I have used since my high
schools days (which happened about the same time as the wagon trains coming
west on the Oregon Trail.) Here’s my poem:
Crossing Over
The raging river shoved the wagon.
Pa yelled at us to hang on tight
but Samuel fell into the water.
He screamed and then slipped out of sight.
My mama held the baby close
and glared at Pa to save their child
but he was struggling with the horses
to get across the river wild.
We reached the bank, he jumped back in
but all he found was Samuel’s shirt.
My mama didn’t smile for years
‘cause life was hard, and she was hurt.
We took the bus to Noussa, a dusty old fishing village on the Greek island of Paros. The travel guide had warned of primitive conditions, so we weren't shocked when we noticed a group of fishermen casually talking to each other as they urinated off the public dock into the water. Their catch of the day hung from wooden racks: flat silver fish with sharp teeth, round black fish with white eyes, squid with wispy tendrils of upended suction cups.
We walked through the narrow maze of stone streets past whitewashed buildings, tiny shops, lazy cats sleeping in the sun. The air was heavy with the smells of incense, tobacco, and wild roses. We stopped at a sidewalk cafe near the ocean and ordered sharp cheese, crusty bread with olive oil, and beer.
When traveling, I try to locate water closets (bathrooms) with the same zeal that I search for ancient castles and new wine bars. Noussa was becoming a bit of a challenge, and by late afternoon, I regretted the second beer. We entered a small grocery store tended by a matronly, black-toothed woman. "Toilet?" I asked. The woman shook her head, apparently not understanding. to
"Bano?" I implored, holding both palms up. No response. Words from my Greek phrase book were useless.
Finally, with a bit of urgency, I showed my travel packet of toilet paper and plunked down a euro coin on the wooden counter.
"Ah," she replied, nodding her head. She took a broken pencil and drew a simple map on the back of my book. I smiled and hurried to follow the map like an eager explorer with directions to the Holy Grail. I found the water closet, a tiled room with two foot rests and a hole in the ground. I'd seen these before, and can attest that strong thigh muscles are necessary to be successful. There was no sink, so I washed my hand with the wipes I carry - almost as necessary as my passport.
Later, as we hiked back to the port, we passed the woman's shop and I waved to her.
"Good-bye," she called in English. We laughed, and then turned toward the bus stop.
I survived childhood on an isolated potato farm near Wendell, Idaho (population 1,000) by reading about adventures and faraway places. Back then, it was a big deal to go to Twin Falls, and the 100-mile trip to Boise demanded weeks of preparation. Sometime during those formative years, I made a personal promise to explore the world, and since then I’ve been fortunate to travel to more than thirty countries. Soon I’ll leave on another journey to celebrate six decades of wonder and wander.
My journal is the first priority on my packing list. I used it to write poetry after exploring Coole Park in Ireland and walking in the same woods that inspired William Butler Yeats. My writing is more frantic after riding on the back of a bull elephant and witnessing a tiger kill a water buffalo during a wilderness safari in Nepal. While floating the Nile, I wrote of the breathless excitement I felt descending into the tombs in the Valley of the Kings in Egypt. Each visit, each discovery is an essential part of my own journey through life.
My journal reminds me of the good times - I’ve swilled beer in Germany, haggled with a jade dealer in Hong Kong, flown through the trees on a zip line in Costa Rica, hiked across a volcano in Hawaii, and sang Handel’s Messiah with a concert choir in the American Cathedral in Paris. Some places I never want to see again: Thailand because I didn’t feel safe, South Africa because it’s just too darned far away, and India where a beggar tried to sell me a baby in the shadow of the opulent Taj Mahal.
I have three favorite places: The Duomo in Florence, Italy stirs my soul. I wept there while standing in Mass and then lit candles for my family members. (Yes, even Presbyterians can attend Catholic Mass.) My second favorite place is Galway, Ireland where somber, intelligent villagers swear that magical fairies live in the trees. I believe them. My third place is home, in Idaho.
Many of my trips were inexpensive. I sang with the Vandaleer Concert Choir at the University of Idaho, and we toured six countries in Europe in 1971. Much to my daughter’s chagrin, in 1995 I volunteered to chaperone her high school tour of Europe. Years later, as the volunteer president for the University’s Alumni Association, I hosted alumni tours through Ireland and Spain. After that, I purchased packaged trips through Egypt and Italy, and yes, I was in a group of gawking tourists that obediently followed the tour guide with the obnoxious flag. But, then it was the best way I could afford to travel. Now I’m grateful for the opportunity to plan and chart my own trips.
As I pack for the next adventure – a two-week excursion of islands in the Mediterranean – it’s easy to pick the regular necessities: comfortable shoes, drip-dry clothes, and my journal. And I’ll make room for my Ipad, digital camera, cell phone and their chargers. Throw in the blow dryer and adapter and I’m ready. This trip will inspire some interesting writing because it’s with my soul mate. After we return, there will be several more pins on my wall map that connect and complete the dots of my personal path.